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Diary of an Automation Junky Our latest musings and updates, along with any information we think you might find helpful. Enjoy!
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See you @ LDI 2016


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It’s that time of year…

The leaves are changing color, the school year is in full swing, and entertainment techs are heading to Las Vegas. LDI is around the corner and we are prepping to go. Come and check us out.

We’re at booth 1259

Look for the orange truss – you can’t miss it.

We’re looking forward to catching up with some old friends, meeting new ones, and showing off some new gear. You can register for a free exhibit hall pass by following the link below.

Click below to get a free exhibit hall pass on us.

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Come for the automation stay for the light show.



Decisions, Decisions – Buying versus Renting: Part Duex

Often you don’t have a choice whether to buy or rent – those decisions are made by someone solely concerned with dollars and cents. Here are a few bits of advice to make sure your theatre is not being pennywise and dollar dumb.

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If you are using your automation gear for a show that you do often (every year or even every few years), an outright purchase will usually save you money. You save on shipping and you ensure that you are never without the equipment you need when you need it. One of our customers recently realized that their annual rental of two Pushsticks  for the last 5 years would have paid for the purchase of the same equipment if they had seized the opportunity sooner.

If you are on the fence and are considering a purchase of Creative Conners’ equipment but need to test drive it first, we can apply a portion of a rental to your purchase of the same gear immediately after your rental period has ended. This way you are assured that the kit you rent is the one you want to own.

If you have the available capital or  a budget surplus – bite the bullet and buy the gear!  A budget surplus will be eaten up by some other department if you don’t claim it. Plus, Creative Conners’ gear can open up design possibilities that positively affect every element of every show. If you only rented when you could have easily bought, you’ll be kicking yourself by the start of your next show.

Lastly, because Creative Conners’ components are plug-and-play operable, consider at least owning a Stagehand controller and a Showstopper emergency stop. You can rent the winches, hoists, or other machinery on an as-needed basis. When you need a Pushstick, Revolver, Spotline or another one of our stock machines, a rental will still be necessary. You also open up opportunities to build your own home-brewed machinery and you won’t need to worry about the front-end control or software.


If you have a project that is on the fence about automating the scenery, give us a shout and talk through your options. If nothing else, you can pick our brains and chat us up for ideas on how to get it done and how to fit it into your budget. We love talking about all things automation and seeing what imaginative ideas are floating around in your heads.

Until next time… Make It Move!

Decisions, Decisions: Buying vs. Renting – Part One

Do you hate wasting money as much as we do? There is no feeling that irks most of us more than realizing that your budget is too tight and you have to start trimming effects from your show. Whether it’s lighting, sounds, scenic or (say-it-ain’t-so) automation, every show has a budget that is too small and artistic ideas that are too big. You have two obvious choices when it comes to automation gear: you can rent it or buy it (or you can also make it yourself, but that’s a blog post for another time).

Let’s examine a few pros and cons for both options…

Rent StampRenting


  • Lowest initial investment – A short term rental will always be less costly than an outright purchase.
  • Faster turnaround – A rental order can leave our doors in a few hours if you are in a jam and we have the gear available.
  • No maintenance needed – We prep, test, and maintain each component of our rental inventory so you always receive ready to use gear.


  • Freight costs are doubled – We have to ship it to you and ship it back. Twice the fun!
  • Less time to set up and experiment – If your rental arrives just before your load-in, you won’t have much time to play with it before it has to be ready for rehearsals.
  • Rental inventory availability – Our rental inventory is large but not infinite. There is always a slight chance that when you need a piece of equipment our shelves are bare. Make sure you call early to book the gear you need.



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  • Opportunity to train staff and students outside of show time – Owning a kit means your staff can become expert users and technicians.
  • Equipment is available for multiple shows every season & every year – Why not automate ALL your shows?
  • You can tweak, customize, adjust, or hack your gear to your heart’s content –  Push your gear to your creative limits.


  • Initial investment is higher
  • Longer lead-time – Plan on 3-4 week before your order ships.
  • Requires storage space when not in use – make sure you’ve thought about where to put this stuff once your show is over.
  • Maintenance – Dig into that manual or give us a call because you will need to make sure your gear is properly cared for.

It can be difficult to see a clear winner when considering performance automation. While you may only need the equipment for one show, you may be better off investing in a system to use in more shows and as a training tool for your staff or students. Imagine how impractical and wasteful it would be if you rented your entire lighting kit for every show. For the very same reasons you may want to build up stock of lighting gear, many theater are building up stock of automation gear. But our rental option means you don’t have to forgo automation entirely if the funds aren’t in your budget this year (or next).

In the next post find out how you can stretch every budget dollar as far as possible regardless of if you rent or buy.

Until next time … Make It Move!


Meet Our Team: Mike Wade

About a month ago we added Mike Wade to our staff at Creative Conners. Mike is our new Director of Technical Services. That means he will focus on technical support, custom project engineering, and user education.  When you’ve got a question about how to get your gear up and running or you are stumped trying to sort out a tricky bit of Spikemark programming – Mike is the guy to call. On top of that, Mike will be joining Gareth as the co-host of the Circuit and Gear podcast.

Mike’s history with Creative Conners goes back to being our guinea pig to test the original Stagehand prototype. He is an expert in dealing with all aspects of theatrical productions – so take advantage of him joining the team.

Mike most recently served as the production manager at the Atlantic Theatre in New York. He brings years of experience working with commercial scene shops, corporate events and several off-Broadway and regional theatres (Williamstown Theatre Festival, Roundabout Theatre, Daedalus Design and Production, is a brief rundown of his pedigree).

Mike_bio2Because he is based in New York City, Mike serves as our liaison to our Broadway and other New York customers. He’s available for on-site consultations and oversees many of our custom installations. He has already overseen the successful installation of automated variable speed chain hoists for Fairhaven Church in Ohio.

He is available by phone at 401-289-2942 or by e-mail at Give’em a shout when you find yourself in a automation pickle and need some help.

Meet Our Team: Sylvia Bagaglio

We’re not just automation junkies at Creative Conners. Our expertise runs deep – theatre, mechanics, art, octopi. One of our newer team members is Sylvia Bagaglio. Sylvia describes her job at Creative Conners as Electromechanical Assembler. Whether wiring circuit boards, performing quality control checks on Stagehands, or wiring a new Pushstick deck winch, Sylvia’s wide range of professional experience is put to good use. Get to know a bit more about Sylvia and how she works…

Sylvia hard at work

What did you do before coming to Creative Conners?

I’ve had lots of really interesting jobs. I worked in a fabrication shop for a while, and did some really cool retail installations. If you ever need a mosaic made out of jelly beans…

I don’t even consider that one of the weirdest jobs I’ve had. I worked for a “Peter Pan” [show] and we had a two‑man, larger than life‑size crocodile puppet that constantly needed love, because it was built for a stand‑alone show, and they decided to tour it. It was supposed to look like it came out of a kid’s closet, so it was made out of pajamas and clothespins, and the like.

I worked for a very high‑end lighting designer at one point, like a really frou‑frou designer. I’ve had a lot of experience interacting with higher‑end visual artists.

What skills have been useful in your work here?

I keep taking jobs where I have to do math. It’s really amazing. I thought I got away from that.

Honestly, this might sound weird, but I think the fact that I have little tiny paws for hands has been really useful, because having very dexterous, small fingers has been really helpful for assembling all those little tiny parts that have to get put together.

Were you a Lego kid?

I still have Legos. My new addiction is Metal Earth; little tiny, laser-cut metal models. They’re super tiny. You have to put them together with tweezers.

What do you do when you’re not here?

I read books, and watch movies that are public domain and write reviews about them on a blog called genxpose. Which is great, because the Internet Archive has all kinds of stuff. It’s absolutely free, anyone can have it, and use it, and view it. It’s really simple to download or view on their website. There’s fascinating things on there.

You have an interesting Twitter follower… What’s up with the Octopus? Poctopus?

A couple of years ago, my husband had gotten me this Valentine’s card that has this little octopus. It was holding a heart that said, “I love you a lot.” It was my portable hug. I started taking pictures of him wherever I was traveling. I’d take a picture at the museum, and different places in Europe, or if I’d go to visit a friend of mine from out of town, I’d take a picture with them. That’s sort of how the octopus became a name.


The octopus now has an official twitter account. You can follow his travels on twitter @Poctopus.

Sylvia is just one of the team of tiny paw’d builders, designers and fabricators that help Creative Conners build the automation gear that makes your turntables spin, your wagons travel, and your scenery fly. Give us a call with your next show and Sylvia can add that to the long list of projects she’s been a part of.

Until next time… Make It Move!

USITT 2016 – See You There!


From March 17-19, we’re headed to Salt Lake City, Utah, for USITT 2016. This annual conference is a perfect opportunity for a little face-to-face time with your friendly automation experts, and for us to meet with you, our loyal customers and stage tech enthusiasts. Swing by our Creative Conners’ booth, #1609, to see the newest gear we have to show. If you’ve got questions about how it all works, we’ve got answers. We’ll even let you take control of Spikemark software and see how easy it can be to program cues and add automation to your show.

If you’d like to schedule a meeting with our staff while visiting Salt Lake City, email us and we’ll find a time to ensure that you have our undivided.

We’ve also got expo floor passes that can get you into the show. Click the link below and we’ll share a free pass – make sure you don’t miss out.

Use the Creative Conners promo code CC1609

We can’t wait to show you how to Make It Move!


Random Acts of Pizza

This could be your Tech Table

So your stomach’s grumbling and its hours before you get to go home. All you can look forward to is your stage manager giving you a break from this never ending tech rehearsal. And what then? You’ll have to find something to eat at that vending machine by the call board. You know the one… Are you going to have a sticky bun or a bag of chips? The choices are less-than-stellar.

But, maybe you’ll get a surprise. Your friendly automation junkies here at Creative Conners are randomly sending Appreciation Pizza to the technicians that use our gear as a way of saying Thank You. Whether you are buying or renting for the first time or you are pulling out your Creative Conners gear from storage – let us know when you load-in, tech, and strike. Let us know on Facebok, Instagram, Twitter, e-mail, or the comments for this post.

We appreciate all of our customers but thought a bit of an extra special thank-you might be a nice thing to do. We’re not a pizza company so we’re not sending everyone pizzas -it will very much be randomly done.

Now, time to get back to that rehearsal and eat your sticky bun.

Make It Move!


Welcome to 2016

You’ve made it through the holidays, and now it’s time to get back to work. We’re right there with you. We have a busy year ahead of us, and we want to give you a preview of what you can expect from your friendly scenic automation experts.

  • Be prepared for new products. We’ve got a lot of fun toys on the drawing board and we know you’ll love them. You’ve already got a couple of spy shots of one, but there are more to come. Check back here often!
  • We have missed seeing your smiling faces, so you can expect to see us in-person this year. Workshops, meet and greets, trade shows – you’ll be seeing a lot more of us.

CCI USITT (1 of 14)

  • This year, know that your voice counts, and we are listening more than ever. We want your opinions to be heard. What are we doing right? What should we focus on? What products should be developed to make your world easier? We’re looking to improve – and we can only do that if we know where to concentrate.
Photo credit: Seattle Municipal Archives via / CC BY

Photo Courtesy Seattle Municipal Archives

  • Lastly, we understand the stress of tech week and the lack of time to fill your bellies, so we will occasionally be sending our customers “Random Acts of Pizza” to ease the hassle of those late night rehearsals, load-ins, and strikes. Keep watching this blog and Facebook for more info.

Photo credit: Matthew Kenwrick via / CC BY-ND

Now let’s get back to work. You’ve got a show to put on and we’ve got your automation gear to build.

Until next time…Make it Move!



2015 in Review

Creative Conners 2015 Year in Review

As 2015 winds down, we wanted to take a few moments to review some of this years highlights. It’s been a heck of a year. Thanks to you, our customers, (both loyal returning users and first-time automation newbies) we’ve provided some very cool gear to theaters , scenic studios, and event producers all over the United States (and our Canadian friends as well).

We are proud to have been a part of some amazing projects. It’s remarkable what something as simple as a turntable can add to a show. Our friends at The Geffen Playhouse and the Atlantic Theater Company made good use from their Stagehands and Spikemark to power their turntable for “These Paper Bullets.” And Mystic Scenic created an awesome reveal for the new Cadillac CT6. South Coast Rep made excellent use of their stock of Creative Conners’ gear when they need ed synchronized scene changes during “Of Good Stock.”

 In 2015, we also found new ways to reach out and share what we love. Circuit & Gear PodcastOur Podcast, Circuit and Gear opened up a whole new way to get into our heads and see how we work. We’ve received great feedback and are eager to share more of our addition to automation in the coming year. We also added a new staff member just for you west coast automation junkies. Peter Veal is our Business Developer and is making house calls to theaters all over Los Angeles and southern California (or in one case, Ohio). Wherever you need us, we can be there.   This has also been a busy year of new products and updates to existing products. We’re working to make your scenery automation life a bit easier. With the Rhody , you have all your control, power, networking and e-stop needs in one convenient case. We’ve updated the Showstopper 3 and Stagehand Mini^2 to metal enclosures – it seems like a little improvement, but refinement makes your show run more smoothly. And we’ve continuously improved Spikemark – squashing bugs and tweaking code to enhance performance.  

2015 has seen some amazing custom projects come through our doors. We love it! Bring us your wacky ideas and let’s make them happen. For Candlelight Dinner Playhouse’s “Chitty Chitty Bang Bang,” we’ve made a car fly . We designed, engineered, fabricated, and aided in the installation of an awesome packaged lineset hoist – we called it “The Flyman” – for a cruise ship. And we created a heck of a large Sunroof Trap & Elevator for the renowned Steppenwolf Theatre . Each of these projects required a partnership with the end user and our team to make it happen. Our customers are some of the best in the world.

Most importantly, as we wrap up this year, we want to say Thank You to all of our customers, vendors, fans, and friends. You all have the most interesting, creative, zaniest ideas, and we are ecstatic that you choose us to help you make them a reality. Thank you for a fantastic 2015. Let’s have an even better 2016! Make It Move!

Let us know what you need from us to make your automation dream come true. Do you have a brilliant idea that you would love to see us create? Is there a burning question you have about motors, winches, or wire rope – give us a shout and let us help you get your show off the ground, revolving, or just plain moving.

Circuit and Gear Ep 12 – Catching up with Mike Wade


We’re back! Mike Wade, Production Manager for the Atlantic Theater, joins Gareth to discuss the Pushstick v2 and the automation used on These Paper Bullets.

Check out the latest episode!

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